It’s fair to say that Australians today have never been more dismissive or held in contempt our politicians, often describing them as selfish, vain and arrogant both online and in the media. Yet without them we wouldn’t have the Australian Government and in particular, our Prime Ministers have placed a crucial role in our nation’s political history since federation in 1901.
The Good, the Bad and the Unlikely is a hugely entertaining and enjoyable book about Australia’s Prime Ministers – all 30 of them (at time of publication) – and is written with brilliant humour by political journalist and commentator Mungo MacCallum (who sadly passed in 2020). Each prime minister is given a brief biography, outlining their personal and political careers – and most importantly, any notable or significant achievements whilst in office as PM.
What follows is my brief assessment of our most notable PMs – and their achievements or stories whilst in office.
The first – Edmund Barton (1901-03)
One of Australia’s founding fathers, Barton was a key supporter and advocate of Federation in 1901, whilst also being an excellent mediator and negotiator. He served as Australia’s first prime minister in 1901 until 1903, when he resigned due to ill health. Later that year he became a founding Justice on the High Court of Australia until his death in 1920. His government established the White Australia policy, the Australian Defence Force, the Commonwealth Public Service, and legislated women’s suffrage.
The giant – Robert Menzies (1939-41; 1949-66)
It’s fair to say Robert Menzies was (and remains) a giant of Australian politics. Not only was he 6’2” (188 cm), he is also Australia’s longest serving prime minster, at over 18 years with two terms in office. Much of conservative Australia has lauded him for his traditional values, being the founder of the Liberal Party in 1944, whilst also guiding Australia post WWII with several core values – White Australia, the welfare state, the industrial arbitration system, and the ties with Great Britain. Whilst the Menzies were overall relaxed and comfortable – Australians became wealthy and prosperous under his government in the 1950s and 60s – they unfortunately cannot be considered those of innovation and reform. Incredibly, the Liberal/National coalition government under his leadership endured for 23 years – from 1949 to 1972 – until Whitlam’s Labor came into office with their campaign “It’s Time“.
The genius – Paul Keating (1991-96)
The Hawke-Keating Govenment from 1983 to 1996 is rightly lauded by many Australians as one of substantital economic reform and achievement, ushering the nation into the globalised world of the 21st century. A key leader of this was Paul Keating, who was Treasurer for eight years and Prime Minister for five. Not only was he an outstanding orator and debator in Parliament, he was also an economic genius of high proportions. Key economic achievements include the floating of the Australian dollar; the deregulation of the financial markets; removal of foreign tariffs; privatisation of government businesses (Qantas, Telstra, Commonwealth Bank); tax and welfare reform; introduction of superannuation, economic ties with Asia and the creation of APEC…the list goes on. Their core legacy is almost 30 years of consistent economic growth (from 1991 to 2020) in Australia.
The best – John Curtin (1941-45)
Australia’s wartime Prime Minister is consistently rated as one of our greatest by scholars and the public, leading our nation through some of the darkest days of our history. The threat of invasion from Japan in the Pacific War was an imminent and looming threat in 1942, and his government rightly looked towards establishing closer military and defence ties with the United States, liasing with General Douglas MacArthur, Superme Commander of the South West Pacific Area. During the war the government also setup numerous social reforms, such as widows’ pensions, maternity allowances, and funeral, unemployment and sickness benefits, whilst trying to achieve full employment in the economy. Sadly, like Roosevelt, the war had a significant toll on his health, and he died on 5 July 1945 whilst in office, only six weeks before the end of the war.
The worst – Scott Morrison (2018-22)
The Coalition government from 2013-22 was one of marginal diminishing returns, rocked by instability and viciousness. Its most capable and talented ministers were already gone (or on the way out) when Scott Morrison took over as Liberal Party leader and Prime Minister in 2018, after a leadership spill deposed their last leader. Let us assess his list of failures as a minister and PM whilst in office… the Black Summer bushfires; the Covid-19 vaccine rollout; the response to sexual harrasment allegations in Parliament House and his women problem; the Robodebt saga; the climate wars; the secret ministry portfolios scandal; the worsening relations with China; high inflation and interest rates and poor wages growth…ill leave it there.
The idiot – William McMahon (1971-72)
Derided and disliked even by his colleagues, Billy McMahon is often ranked among Australia’s worst Prime Ministers, with his government not passing any notable legislation or having any lasting achievements. He became Prime Minister in 1971 after the resignation of John Gorton, becoming winning a leadership spill and staying in the role for a mere 21 months. Seen as a laughing stock by many, he failed to control the worstening economy of the 1970s but was deemed as ‘completely untrustworthy, trecherous and amoral’ by numerous journalists and politicians. He was the final PM in Menzies’ conservative government era of 23 years, losing to Gough Whitlam in the 1972 election.
The larrakin – Billy Hughes (1915-23)
Ah, Billy Hughes, that rascal. He was Prime Minster for seven years but a Member of Federal Parliament for over 50, serving almost six decades in public office. He represented six political parties, was the leader of five, served as a minister in four, and got kicked out of three. Quite the impressive political record. He became Prime Minister in 1915 when Andrew Fisher retired, and led Australia through the First World War, playing part in the postwar negotiations at Versailles, where Australia received a mandate to govern Papua New Guinea. Upon his return home his government also established the Institude of Science and Technology (later known as CSIRO), the Department of Civil Aviation, the Commonwealth Oil Refineries, and Amalgamation Wireless – giving Australia a direct radio service with the UK. Unable to form government after the 1922 election, Hughes resigned as PM in 1923. He remained in Parliament as an MP maintaining his charming, witty and devious personalality, until his death in 1952.
The playboy – Harold Holt (1966-67)
Most Australians recognise Harold Holt as the handsome Prime Minister who went for a swim one day and disappeared… presumed drowned. They might also know that a swimming pool was named after him. What they might not know is that Holt was also a bit of a playboy and a womaniser, conducting various liasions and having several mistresses. It is presumed that the reason he took that early morning swim the day he disappeared was to impress his mistress, Marjorie Gillespie. Today in Australia, the term ‘to do a Harold Holt‘ is to disappear unexpectectly and suddenly.
Further reading:
Bowen, C. The Money Men: Australia’s Twelve Most Notable Treasurers. Melbourne University Press, 2015
Hawke, B. The Hawke Memoirs. William Heinemann Australia, 1994
Savva, N. Bulldozed: Scott Morrison’s Fall and Anthony Albanese’s Rise. Scrube Publications, 2022
[…] It is not the American deep state that is the problem, but rather America’s deep history.
Nick Bryant
Nations born out of war often retain the violent scars of their turbulent history. Nowhere is this better exemplified than in the United States of America, where unfortunately division, mistrust and misinformation are the norm of its society today. Nick Bryant’s new book, The Forever War – America’s Unending Conflict With Itself (2024), is a masterful and detailed critical analysis of American politics and governance today, and how contemporary America – political, social, and economic – is unfortunately a hostage of its racist and violent past.
The book itself is a blend of both American history and its effect on American politics and society today. Throughout the ten chapters of the book, Bryant’s writing style is generally to illustrate a particular contemporary issue, and then provide the historical context and origins. Important topics covered include the creation of the United States by the Founding Fathers; the history of executive and Presidential power; the history of insurrection and rebellion; slavery and the Civil War; guns; abortion; civil rights and race issues; culture wars; and the increasingly political split between the two major parties.
There is clearly a lot to cover here which can be overwhelming for new audiences not familiar with American politics – however Bryant does an excellent job in exploring these issues in detail, whilst also making it easy to comprehend and understand. Of particular interest (to me) was the chapter titled ‘American Authoritarianism‘ – in which, throughout history, successive American presidents have used executive/presidential power to overrule norms and conventions in the Constitution, or bypass blocks by Congress or the Supreme Court. An example of this was during the presidency of Frankin D. Roosevelt, who issued over 300 executive orders a year to enact his New Deal reforms, bypassing Congress. When this was challenged by the Supreme Court, he tried to stack the court with up to six new justices, only for the bill defeated in the Senate. Or the fact that FDR signed an executive order in 1942, where over 125,000 Japanese-Americans, most of whom were American citizens, were interned in concentration camps in America until the end of WWII. Such examples of this overuse of authoritarian power, although best exemplified in Donald Trump today, are unfortunately frequent through a succession of American presidents dating back to Andrew Jackson.
The history of violence, insurrection and rebellion is another important topic and one that is particularly relevent today. Bryant illustrates how January 6th, 2021, was in fact an insurrection with many precedents and previous examples. Whilst the Revolutionary War, American Civil War and the two World Wars are well known to many, less well known are the numeous smaller incidents of racial violence scattered throughout American history. An example is the Tulsa race massacre of 1921- one of America’s worst hate crimes in which a white supremacist mob torched an entire Black neighbourhood in Tulsa, Oklahoma, with an estimated 300 black deaths. For many years, the event was omitted from local, state and national histories, and was largely forgotten until the late 20th century. Or the fact that four American presidents have been assassinated whilst in office, with many more having been the target of assassinations (e.g Nixon, Reagan, Trump).
The Forever War – America’s Unending Conflict With Itself is masterful political research and critical analysis of the highest standard. It is well researched, comprehensive, clear and easy to understand for a general audience, and should be read by anyone wanting to better understand the America of today.
If a foreigner or tourist visting our shores would ask me to name an album that truly reflects the sound of Australia, its people, its landscapes, and its cultural heritage, my first thought would be to name Blue Planet Eyes, the debut album of rock band The Preatures. Released in 2014, the album is a glorious blend of pop rock, new wave, and Australiana, nearly packaged and presented in less than 40 minutes, with songs that linger in your head without a minute wasted. The album peaked at No. 4 on the Australian ARIA charts, whilst the critically lauded single, Is This How You Feel, climbed to No. 9 on Triple J’s Hottest 100 in 2013.
Two things immediately stand out once having listened to the album – first, the warm and energetic tone from singer Izzi Manfredi and her fellow musicians, and second, the outstanding production and sound. The bright and fun tone is evident throughtout – but particularly on rock tracks like Somebody’s Talking, Cruel, and Ordinary, complemented by lovely melodies with that Australiana rock vibe. The sound and technical production, which is brilliantly impressive, is truly what sets it apart as a great Australian album. Listen out for the following highlights:
The gorgeous synth melodies on Two Tone Melody and Business, Yeah which are achingly beautiful
The dynamics change in Rock and Roll Rave, where the audio is decreased to almost silent and increased to loud
The harmonic melodies between guitars and vocal on tracks like Blue Planet Eyes, Is This How You Feel, Ordinary
The album features 10 songs in total – with five on each side. Opening track, Blue Planet Eyes, heralds the dawn of an Australian summer day at the beach, with the backing bass line complementing Izzi’s relaxed vocals well. It is a beautiful opener that sets the relaxed and warm tone of the album, which is also echoed by the album’s cover – a headshot photography of Izzi poking out of the water. This glowing theme is continued on lead single Somebody’s Talking – a brilliant rock track I first heard at university back in 2016, and the one which led me to their music. Smash-hit worldwide single Is This How You Feel needs no words or explanation – other than it being a true classic that will be remembered for years to come.
Bouncy rock tracks are also abundant throughout – notably on Ordinary, Cruel, and It Gets Better, which all feature a wonderful harmony of Izzi’s vocal range with the guitar riffs from guitarists Jack Moffitt and Gideon Bensen, creating some catchy danceable tunes. Quieter and slower moments are also present with the rock sound stripped down on Two Tone Melody, Rock and Roll Rave and closer Business, Yeah. Rock and Roll Rave – one of the best sounding tracks on the album – takes the listener to a 90s or 2000s electronic nightclub, with its sound echoed in following track Whatever You Want. Business, Yeah, is a sentimental and rather forlorn (but brilliantly executed) closer, leaving the listener wanting more.
The album’s standout track for me, however, is Two Tone Melody, with the sound toned down with only Izzi’s vocals and a synthesiser, which reach achingly beautiful heights with a ballad story of unrequited love. It is an excellent example of the band’s outstanding sound production, and also a wonderful love song for late night listening.
Blue Planet Eyes is an outstanding debut album, filled with gorgeous melodies and sounds, and is a prime example of Australian alternative rock at its very best.
Ease is a greater threat to progress than hardship.
Denzel Washington
Denzel winning his first Oscar for Best Supporting Actor – Glory – Acacdemy Awards 1990
American actor and filmmaker Denzel Washington has been on our screens for over four decades. This month, I take a look and review more of his hit films…
The Mighty Quinn (1989)
Director: Carl Schenkel
One of Denzel’s earliest films in his career, The Mighty Quinn is a comedic mystery thriller in which Chief of Police, Xavier Quinn (Washington), must solve a murder mystery when his childhood friend, Maubee (Robert Townsend), becomes the prime suspect.
The film overall is a highly enjoyable, entertaining and funny watch, and well paced at just over an hour and a half. The authentic Caribbean setting immediately gives the audience a relaxed and calm vibe, with the sleepy tourist town filled with (mostly) friendly locals enjoying their reggae music and dance all day and night. Thus it shocks all the locals when the town’s millionaire hotel owner is murdered in his own room.
Denzel’s charisma shines throughout the film as the police chief, with some well crafted lines of dialogue, a nice wardrobe, and an effective action man and detective. The supporting cast are great too. Robert Townsend shines as town crook and Xavier’s childhood friend Maubee, always seeming ahead of the police. Mimi Rogers is sizzling and gorgeous as Hadley Elgin, the wife of a political fixer for the Governor. But it is M. Emmett Walsh who truly shines, who seems like a friendly businessman/tourist but has far more sinister motives.
The highlight of the film for me is a brilliant musical scene where Denzel plays the piano and sings along with the locals at the town bar. Plus the scene with Mimi Rogers in her home at night ain’t too bad either 😉
The Mighty Quinn is excellent and comedic entertainment, and an indication of Denzel Washington’s rising status and charisma as an actor.
Rating: 7/10
Malcolm X (1992)
Director: Spike Lee
An incredible biopic of the African American civil rights activist Malcolm X. Denzel Washington gives a towering and outstanding performance as Malcolm, playing him in 3 different stages of his life with an incredible variety of character development and growth throughout the film (His speeches are magnificient). At over 3 hours, the film is long but there isn’t a minute wasted in the depiction of Malcolm’s life from cradle to grave. The change in Malcolm’s personality and character throughout the film is incredible as he ages and experiences the reality of a bitterly violent and divided America during the 1950s and 60s. His change of faith to Islam and his pilgrimage to Mecca for the hajj are simply astonishing to watch. Given the production was beset by creative and budgetary restrictions from Warner Bros, it is remarkable that the finished film is a triumphant and magnificient biopic of one of America’s most important (and controversial) political figures of the 20th century.
Without a doubt, this is one of Spike Lee’s finest films that is still relevent America today with its omnipresent themes of poverty, racism and inequality.
Rating: 10/10.
Much Ado About Nothing (1993)
Director: Kenneth Branagh
An outstanding and brilliant adaptation of Shakespeare’s comedy, Much Ado About Nothing is one of Kenneth Branagh’s best films. The cast list is superb throughout, with Denzel Washington, Emma Thompson, Kenneth Branagh, Keanu Reeves, Michael Keaton, and Kate Beckinsale in her film debut. The overall story concerns the marriage of Hero (Kate Beckinsale) and Claudio (Robert Sean Leonard), and the overall chaos and deception that they must navigate before they can be wedded.
Complementing this is Shakespeare’s witty and brilliant dialogue sprinkled throughout the film, especially with the love-hate relationship of Beatrice (Emma Thompson) and Benedick (Kenneth Branagh), who have both sworn never to marry. Their chemistry together is absolute dynamite and their scenes are arguably the highlight of the film. Denzel Washington, as ever, is brilliant as the majestic Don Pedro, as he plays the matchmaker with some quirky and amusing lines.
The overall setting in an Italian estate and garden is also excellent, giving the film a joyous tone as the characters indulge in pleasures of eating, drinking, dancing and love. Its optimistic and cheerful tone also makes it readily accessible for the general audience – no prior knowledge of Shakespeare or the play is required. Yay!
Hugely enjoyable and entertaining throughout, Much Ado About Nothing is a shining example of a Shakespeare film adaptation (and comedy) at its finest.
Rating: 9/10
“I had rather hear my dog bark at a crow than a man swear he loves me.”
Philadelphia (1993)
Director: Jonathan Demme
The best and most acclaimed films are sometimes ones that inspire important and positive social, political or cultural changes in our societies. One of these quintessential examples is Philadelphia, a brilliant and poignant courtroom drama telling the story of lawyer Andrew Beckett (Tom Hanks), who asks attorney Joe Miller (Denzel Washington) to sue his employers, after he is dismissed because he is gay and has HIV/AIDS.
Denzel Washington’s acting (and films) are often at their peak when he has another superb lead actor to collaborate with. Notable examples include Glory with Morgan Freeman, Crimson Tide with Gene Hackman (see below), and Training Day with Ethan Hawke. Philadelphia is another prime example, and the acting and relationship with Tom Hanks in this film is brilliant cinema.
Firstly, Tom Hanks’ portrayal of lawyer Andrew Beckett is subtle but profound, as a brilliant and distinguished rising star and lawyer at his firm who is unforunately dismissed as a result of his infection. It is a humble and and gentle performance, and his acting truly shines as a man who just wants to be treated equally and respectfully like everyone else. Hanks won the Best Actor Oscar in 1993 for his performance in this role, and his character’s journey throughout the film is a moving, poignant and compelling watch (particularly in the courtroom, and a pivotal scene in a library).
Washington’s portrayal as personal injury lawyer (and marketing guru) Joe Miller is also excellent as he turns from a homophobic and conservative individual to one who establishes a genuine partnership and friendship with Beckett. His defence of Beckett’s personal rights under the law is riveting viewing, particularly in the courtoom scenes. There is a confident and warm charisma in his portrayal that is immediately likeable, particularly as his character undergoes significant change and development throughout.
At its core, however, the film’s powerful themes about equality, justice and care towards others is inspiring and compelling viewing. Its touching message that LGBT people are just the same as others in society and shouldn’t be treated differently is particularly effective, especially in a time when stigma and discrimination against people with AIDS was rife in the 1980s and 90s. Filmed entirely in the ‘city of brotherly love’, Philadelphia, the film’s production is also excellent throughout, with the city brilliantly brought to life vividly. Particular credit should be given to director Jonathan Demme, writer Ron Nyswaner and cinematographer Tak Fujimoto, who all decided to take a creative risk (after the critical success of The Silence of the Lambs) to create the first major Hollywood to tackle HIV/AIDS and portray LGBT people in a positive light.
Philadelphia is a compelling and touching courtroom drama that rises above its difficult subject with humility and grace to convey its powerful message.
Rating: 8/10
“This is the essence of discrimination: formulating opinions about others not based on their individual merits, but rather on their membership in a group with the same characteristics.“
Crimson Tide (1995)
Director: Tony Scott
The first of five film collaborations between director Tony Scott and Denzel Washington, Crimson Tide is a masterful Cold War-esque action thriller with the cast and crew at their creative and technical peaks (at the time). Taking place in a world of heightened geopolitical tensions with nuclear war imminent, the film depicts the clashing personalities and wills of the captain of a US nuclear submarine (Gene Hackman) and his new executive officer (XO) (Denzel Washington), which eventually leads to mutiny and rebellion…
From a technical, creative and atmospheric viewpoint, this is arguably the best film of the five made by Tony Scott starring Denzel Washington. This is an intense, immersive, intelligent and impressive film with seriously high stakes, tension, danger and thrills throughout. At its core is the relationship between the captain and his executive officer, with Gene Hackman and Denzel Washington electrifying, commanding and dominant in their roles as the two protagonists. Their relationship, which changes and deteriorates as the film progresses, is engrossing viewing, especially when they are both onscreen. The film’s core themes are about power, control, and people’s choices – posing questions about the validitity and actions taken under extemely difficult and challenging circumstances. Its refusal to support either viewpoint from the captain or the XO gives it a cerebral and stimulating tone for audiences to discuss, and is a major highlight.
Complementing the brilliant acting performances are some excellent production values throughout. There are some brilliant one-liners, witty dialogue and cultural references from uncredited additional writer Quentin Tarantino. The orchestral score by Hans Zimmer is a masterpiece of instrumentation, choir and synth, creating a hugely atmosphetic and patriotic sound. Director Tony Scott also ramps up the tension and danger with his visceral shots and angles of the submarine and the sea, with the fast editing and close ups of actors throughout being particularly effective.
Crimson Tide is a brilliant and intense action thriller film, and is a fine example of Tony Scott and Denzel Washington at their creative peaks.
Rating: 8/10
“We’re here to preserve democracy, not to practice it.”
Out of Time (2003)
Director: Carl Franklin
Like an ice cold lemonade or Corona on a hot summers day, Out of Time is a hugely enjoyable, underrated and funny mystery thriller filled with slick dialogue. The film depicts the tropical resort town of Banyan Key, where Chief of Police Matt Whitlock (Denzel Washington) must solve a double homicide on his own before he himself falls under suspicion in the case…
The highlight by far of the film (and one which is immediately noticeable throughout) is the location filming around Florida. The quiet, sleepy and relaxing town of Banyan Key truly shines as the audience is taken across its wonderful houses, restaurants and seaside locations. There are some gorgeous long take scenes of the landscapes and beachside houses which look magnificient.
The cast is also excellent, with Washington and Eva Mendes shining in their respective roles. His charisma, confidence and charm is on full display as Chief of Police Whitlock and is immediately likeable. Mendes is also on fire and fine as hell as his extranged wife and detective Alex Diaz-Whitlock, who is determined to solve the case with some excellent investigative skills throughout. My favourite character, however, by far is the medical examiner Chae (John Billingsley), who is mainly used as comic relief with hilarious results, and is definately a friend you’d want around for a good time.
The script and storyline is somewhat derivative and predictable, but the production crew (and Denzel) execute it well and keep it interesting and enjoyable throughout that most audiences probably won’t notice.
Whilst not quite a peak Denzel Washington movie, Out of Time is a thoroughly enjoyable and entertaining watch filled with good humour.
Rating: 7/10
“A beer in the hand is worth two in the fridge.”
The Great Debaters (2007)
Director: Denzel Washington
Denzel Washington steps behind the camera for his second directed film, The Great Debaters, a brilliant inspirational and uplifting historical drama. Taking place in 1930s America, it recounts the story of professor Melvin B. Tolson (Denzel Washington), who inspired his students to form the first debate team at Wiley University, Texas, and go on to challenge Harvard in the national championship.
The Great Debaters is a film that works on two main levels – not only as a profound and captivating drama centred on its protagonists and their challenges, but also as an effective social portrait of the American South during the 1930s, where segregation, racism and Jim Crow laws were still widespread in society. It is a film that effectively tackles serious themes of racism and hatred with care, restraint and hope.
As always, Denzel Washington is the highlight of the film, starring as teacher and debate coach Melvin B. Tolson – a complex character who seems educated, inspiring and caring towards his students but who must mask his political sympathies with communism and the trade union movement. Throughout the film he shines as a beacon of light and hope towards a better future for his students, and his character is engrossing every time he is on screen. The supporting cast of students are brilliant as well – Denzel Whitaker, Nate Parker and Jurnee Smollett – who all face personal challenges as they delve deeper into the debating campaign and the deep scars of the segregated and racial American South.
While the film takes some historical liberties (e.g. the debating team at Wiley never challenged Harvard), the film overall is an inspiring and effective historical drama with some great acting performances.
Rating: 8/10
“We do what we have to do in order to do what we want to do.”
American Gangster (2007)
Director: Ridley Scott
Corruption. It permeates throughout the crime film American Gangster, seeping throughout the grimy and filthy streets of New York City in the 1970s. Almost every character in the film is a slave to capitalist greed and corrupted by money in an American society increasing divided by the Vietnam War. Into this cesspool of shit are tossed our two protagonists – Harlem crime boss Frank Lucas (Denzel Washington), and the man sent to catch him, scruffy Detective Ritchie Roberts (Russell Crowe), one of the few ‘honest’ cops in New Jersey.
The film is carried by its two lead actors – Denzel Washington and Russell Crowe, both who portray characters who are infinitely complex and more than what they seem. Washington isn’t generally known for starring in crime films, so it is a little surprising to see him here as a mobster, compared to his other action or drama roles. His portrayal of crime boss Frank Lucas, whilst not one of his best, is still excellent, switching from a virtuous and benevolent family and community gentleman, into a psychopathic murderer within seconds (several scenes throughout highlight this). The way he stands up for his personal values in business and with his family is engrossing viewing. Crowe’s portrayal as Detective Roberts is more traditional – the average Joe or Bob cop who is trying to stay true to his values in a city filled with corrupt cops and officials, but is also in the midst of a family breakdown and divorce and desperately needs a way out to solve his personal troubles. His entire motivation and goal is to shut down the drug trade and knock off Lucas – at any cost, even if the whole of New York and America hates him for it.
Perhaps the most surprising and interesting aspect of American Gangster is that is a superb character study and drama. Almost all of the characters – even the ones that appear for 5 minutes or less – have interesting stories, motivations, and feel like real life people you’d meet on the street. Complementing this is the authentic production and set design of 1970s New York, a society cripped by drugs, war, greed and desperation where its every man woman and child for themselves, and the rich and powerful who rule. It is also an effective portrait of American society and history during the civil rights movement and the Vietnam War. In particular, Josh Brolin as Detective Trupo is one of the most dirtiest and insufferable corrupt cops of all time. Also of note is that this is far more a drama film than an action film, with Scott and screenwriter Steven Zaillian meticulously showing every aspect of Lucas’ mega drug trade, and Roberts’ detective work in trying to catch him.
The only major problem with the film, however, is that most of the story written has been done before in other crime films – The Godfather,Scarface, Goodfellas, Serpico to name a few. Plus the story does become predictable after the first hour and a half, with little in terms of plot twists or shockers (unlike L.A. Confidential – brilliant movie).
Whilst not in the league of outstanding top-tier crime films, American Gangster is still an entertaining and enjoyable 2.5 hr ride into 1970s Harlem, filled with $100 bills and LOTS of heroin.
Rating: 7/10
“The most important thing in business is honesty, integrity, hardwork… family… never forgetting where we came from.”
The Book of Eli (2010)
Directors: The Hughes Brothers
This post-apocalyptic dystopian action film involves Eli (Denzel Washington), a traveller who seeks to protect and deliver a book to the US West Coast.
Whilst the production design and cinematography to create a post-apocalyptic United States is excellent and realistic, the story overall is a tad undercooked and weak with little development of the story, the background of the world, or the magical book (and why it is so important).
Nonetheless the action sequences and acting overall are excellent with Denzel Washington being confident, wise and calm throughout. Gary Oldman and Mila Kunis also settle into their roles well as supporting characters. The action is what really keeps the film moving along, with a particular highlight being a shootout in a rural homestead. The ending is also unexpected and uplifting.
Well, it’s all right even if you’re old and gray, Well, it’s all right, you still got something to say. Well, it’s all right, remember to live and let live, Well, it’s all right, the best you can do is forgive.
End of the Line, 1988
During the late 1980s, former Beatle George Harrison asked his friend Jeff Lynne (from ELO) to help produce his new album, Cloud Nine. During production, they discussed the idea of creating a ‘musical supergroup’ with other artists they liked, namely Bob Dylan and Roy Orbison. Out of this was born the genius of the Traveling Wilburys, which specialised in country/folk rock and was much acclaimed at the time.
Today, we take a look at the background of the group, and the release of their two albums, Vol. 1 and Vol. 3, released in 1988 and 1990 respectively.
Traveling Wilburys Vol. 1 (1988)
The creation of the Wilburys group, and their debut album, occured almost entirely by accident. The story goes that the members were in town (in LA) at Bob Dylan’s studio recording a B-side for Harrison’s new single, when they all got together and recorded ‘Handle with Care’. When presenting the single to the executives at Warner Bros., the execs stated the song was far too good as a B-side. Encouraged and supported, the group were motivated enough to record an album together, thus creating the Wilburys legend.
The album itself is a cracking listen, filled with brilliant vocals and groovy tunes. From the opening bars of Handle with Care it becomes evident that the gang are having a wonderful and brilliant time recording the music, filled with camaraderie and fellowship. No wonder then the opening track (and single) is excellent, with the groups vocals and instrumentation blending harmoniously to create a classic hit. Plus Roy Orbison’s voice is simply incredible on the bridge. The different musical backgrounds of the artists (Harrison, Lynne, Dylan, Orbison and Petty) also gives the album a diverse sound, with the tracks all having a unique feel.
Overall the album consists mainly of rock and folk tunes with some tracks working better than others. Dylan takes lead vocals on three songs – Dirty World, Congratulations and Tweeter and the Monkey Man, all which feature his signature American folk/blues sound. Whilst the former two are fun rockers (with Dylan having an excellent time performing), his raspy voice just doesn’t work for me sadly. Plus Congratulations is a bit too slow for me as a ballad, despite the nice guitar solo from Harrison. However, Dylan created (for me) a musical and lyrical masterpiece with Tweeter and the Monkey Man – an engrossing ballad telling the story of an undercover cop and a bunch of dodgy characters in New Jersey, whilst also paying homage to Bruce Springsteen. Easily the best track for me, with the guitar riffs and story being endlessly entertaining, and by far the track I play most on repeat, despite it being the longest on the album.
Elsewhere the album features a mix of different members on lead vocals and songwriting duties. Jeff Lynne shines on Rattled, a vintage rocker with a catchy drum and bass groove and guitar riffs. Petty and Orbison get lead vocals on Last Night, a fun and catchy rock track which is elevated by Orbison’s voice describing a beautiful, but dangerous woman at a bar. Both tracks are probably something you would probably hear on a 1960s/70s radio on the road. Roy Orbison shines on Not Alone Any More is a golden masterpiece with his haunting and timeless voice. This is an incredible listen – easily one of the best tracks on the album. It is a real tragedy he passed only two months after the albums release, just when he was experiencing a musical resurgence after a long period of career decline. Another hit is the uptempo Heading for the Light – bursting with sound and musical energy, with Harrison having a great time on lead vocals accompanied by a lively sax solo and excellent guitar riffs. Margarita shares the infectious energy, but is by the far the strangest track on the album. I’m not sure if it completely works – there is a lot going on musically, and I feel it is a tad overprocessed (with the synthesizer present), but it is fun nonetheless – like the drink.
The album concludes with End of the Line, again with all members on lead vocals, with a nice message emphasising love, care and friendship – core themes that created the group. The positivity on the track is infectious and brings the album to a wonderful close. Tom Petty’s voice is also delightful (for me).
The Wilburys debut album, Vol. 1, is an excellent and charming album filled with interesting and delightful tunes. Highly recommended for the rock enthusiast.
Rating: 8/10
Best song: Tweeter and the Monkey Man
Traveling Wilburys Vol. 3 (1990)
Hot off the critical and commercial success of their debut album, the Wilburys regrouped in 1990 to record their follow up, mischieveously titled Vol. 3. Compared to their debut album, Vol. 3 received lukewarm and mixed reviews, but still generated moderate commercial success, with lead single She’s My Baby peaking at no. 2 on Billboard’s Mainstream Rock chart, and the album peaking at no. 11 in the US.
The Wilburys groovy tunes continues on Vol. 3, with an excellent blend of rock, folk and blues tunes about. Whilst there are some excellent tracks and highlights, the songs do sound a lot more similar and homogenous than the heights of Vol. 1, lacking its thematic and musical variety. This is largely due to the increased influence and input from Bob Dylan as lead vocalist and songwriter, with his folk tracks being overall similar in sound and tone. George Harrison (the band’s de facto leader) also noticeably has a reduced role on the album overall. However it is the significant absence of of Roy Orbison and his voice (who sadly passed after the first album’s release) which is most felt, missing the X-factor spark that the first album had.
The album opens with She’s My Baby – a thunderous rock track filled with vocals from all four members and bursting with lively energy – easily one of the best opening tracks on any rock album! Inside Out is another excellent track, with Dylan’s lead vocals being complemented with Harrison and Petty on some sections, with a memorable chorus easy to sing along to. The Devil’s Been Busy is another highlight with lead vocals from all members whilst also featuring Harrison’s signature sitar. New Blue Moon is, unfortunately for me, not very memorable, despite the combined lead vocals.
Dylan’s influence is also strong throughout the album. If You Belonged to Me features a delightful harmonica solo with its folk tune, and is peak Dylan. 7 Deadly Sins is a classic doo-wop featuring a funky saxophone and a relaxed tone, probably my favourite of his tracks. Where Were You Last Night is a typical Dylan folk tune, and not particularly memorable for me, despite him having fun as the scorned lover.
Petty also takes over vocals on Poor House, Cool Dry Place and You Took My Breath Away. His vocals are a tad goofy and high pitched on Poor House for me, but the groovy slide guitar from Harrison more than makes up for it with its catchy beat and blues tone. Cool Dry Place is a highlight for me with Petty singing about… moving his musical instruments into storage?! Hmm. There are some cracking lyrics and a funky guitar solo though. You Took My Breath Away is a loving tribute ballad to Roy Orbison, but highlights his notable absence (and would’ve been far better with him on it).
Finally, the album concludes with Wilbury Twist, a fun rocker filled with danceable energy and an exciting ending but which is ultimately forgettable.
Whilst not reaching the creative and musical peaks of Vol. 1, Vol. 3 is nonetheless a solid and enjoyable album filled with funky and groovy tunes for good entertainment.
A delightfully warm album of country folk songs by two sisters at the height of their creative and songwriting peak, with a gorgeous blend of melody, instrumentation and vocals. Fantastic music for driving or travelling.
There, that’s it. Done 😊
Oh, you want more?
Hmm, let me think…
The fifth album by Swedish sisters Johanna and Klara Soderburg, Palomino, is a delightful collection of country folk songs that cover themes of love, loss, and personal growth, but particularly the themes of journey, travel, stories and the passage of time. (Horses are also a recurring motif, as show in the songs and album artwork). As with previous albums, a strong theme of country Americana is also evident throughout the album, with music influences from Fleetwood Mac, Tom Petty, Kate Bush and Bruce Springsteen.
The eleven songs on the album are a gorgeous combination of melody, instrumentation and vocals. Compared to their previous albums, there is also a greater use of instrumentation such as strings, drums, horns, and brilliant guitar and bass lines, which are blended to make brilliant harmonies.
Opener Out of My Head encourages the listener to let go of the past and look towards the future, backed by gorgeous vocals and a ‘running’ drumbeat. Angel – one of the best tracks on the album – is filled with self love, care, and compassion for others, complemented by drums, guitar, trumpet and percussion with beautiful harmonies. There is a strong country/blues 1970s influence on tracks such as Turning Onto You and Fallen Snow, with their guitar and bass tunes and riffs. Quieter and acoustic tracks are also present on Wild Horses II and Nobody Knows, which are perfect for evening listening, filled with a little mystery and melancholy. 29 Palms Highway takes us out into the desert, filled with gorgeous strings and slower vocals. Finally, the album closes with Palomino – easily the most uplifting and joyous final track on any album I’ve heard in years – and leaving listeners hopeful for the future as the road stretches out…
Palomino is an outstanding album filled to the brim with gorgeous tunes and vocals. It is brilliant music, filled with love, and tenderness, hopefully inspiring all who listen with joy.
I love The Beatles, and their music. Always have, and always will, like many fans. Thus it come as a surprise to some readers that my favourite Beatle has always been ‘the quiet one’ – George Harrison – due partly to his fascination with Indian music and mysticism, but mainly because of his magnum opus, All Things Must Pass, which is one of my favourite albums of all time. Some of my favourite songs of his include Isn’t it a Pity, While My Guitar Gently Weeps and Cloud Nine. It’s with this interest and love that I recently picked up Philip Norman’s new biography, titled George Harrison – The Reluctant Beatle, published by Simon & Schuster in 2023.
Trade Paperback, 2023
The biography overall is well reasearched, written and an enjoyable read. It’s divided into three main sections – George’s early years and adolescence (1943-62); his years with the Beatles (1962-70); and his post-Beatles life (1970-2001). Chapters overall are relatively short, with narrative events explained clearly and concisely. The most interesting section by far is his post-Beatles career. Highlights (for me) include the production and release of his masterpiece, All Things Must Pass; his role as a film producer at HandMade Films; his music career resurgence in the late 1980s with his album Cloud Nine; and the creation of the Traveling Wilburys, a musical supergroup (with Bob Dylan, Tom Petty, Jeff Lynne and Roy Orbison). Relationships with the Beatles, his wives, Pattie Boyd and Olivia Harrison, and his friends (particular Ravi Shankar and Eric Clapton) are also explored throughout.
The major issue with the book, however, is that most of the information in this biography is publicly available online or in print, and has already been published or released before in other media or works. Hence there is no ‘new’ information about George or commentary from his friends and associates. Over 300 pages of this 550 page book recounts The Beatles career, which will be familiar with most experienced Beatles fans. The post-Beatles section is also a tad brief at less than 200 pages to cover 30 years, and could have been expanded greatly with further analysis and commentary from his associates and friends. (I would loved to have a full in-depth chapter on the Traveling Wilburys). The character and personality of George is also never fully explored or analysed, with his influences, motivation and drive in music, film and business skimmed over. Finally, the book ends with his death in 2001, and doesn’t explore his legacy or Beatles projects. These include the release of his posthumous final album Brainwashed in 2002; the release of his greatest hits album Let it Roll: Songs by George Harrison in 2009; the remasters of Beatles albums from 2017-22 with Super Deluxe Editions; and finally The Beatles Get Back documentary series, and the 50th anniversary remaster and release of All Things Must Pass, in 2021.
George Harrison – The Reluctant Beatle is a solid and enjoyable biography for the casual reader or new fans of The Beatles, or George Harrison. For more dedicated and knowledgable fans and readers, however, this biography is unfortunately only the tip of the iceberg, and you’re better off buying something else.
The view of Jerusalem is the history of the world; it is more; it is the history of heaven and earth.
Benjamin Disraeli, Tancred
“Astoundingly ambitious and wonderfully engrossing” are the first words that come to mind when describing Simon Sebag Montefiore’s biblical masterpiece – Jerusalem – The Biography. The book covers the entire history of the Holy City of Jerusalem – from its founding by King David in the Bible, all the way to the 21st century. Into it Montefiore pours the stories, wars and affairs of kings, empresses, prophets, poets, saints, conquerers and whores who created, ruled, wrote, destroyed and believed in the Holy City. No small task then, given this is one of the most studied and sacred cities of the world…
Condensing 3,000 years of history into 650 pages would be overwhelming for any author, but Montefiore has done an excellent job in condensing the main events, characters and stories of each time period. The book is primarily a chronological narrative history, examining the stories and lives of men, women, and families throughout. It is divided into nine main parts (see below) covering the main dynasties, religions and rulers of the time, with each chapter containing smaller sections covering people and events. Whilst each period is given their share of chapters in the book, there is a substantial emphasis on the 19th and 20th centuries – presumtively as more sources and details are available and events become more complex after the onset of the Industrial Revolution. The original 2011 hardback edition ended with the Six Day War and its aftermath, but the updated 2020 paperback edition takes the story into the present day, highlighting the continued political strife of the Arab-Israeli Conflict and the cultural, religious and political significance of Jerusalem today.
Judaism
Paganism
Christianity
Islam
Crusade
Mamluk
Ottoman
Empire
Zionism
The author notes – “I dearly wish to bring much forgotten history to new readers” – which is something I enjoyed immensely. There is something for every reader here who enjoys history or politics, and some sections will be more familiar to some than others. Personally, I throughly enjoyed the sections on Constantine the Great and the birth of Christianity in Rome; the Umayyad Caliphate and the creation of the Dome of the Rock by Abd Al Malik; and the opulence of the Ottoman Empire under Suleiman the Magnificient. Religion is also of crucial importance throughout, and a major recurring theme is the three Abrahamic faiths of Judaism, Islam, and Christanity, and the cultural and religious significance of the city to worshippers to all.
A major strength of the book is Montefiore’s simple and clear writing style, which can be picked up by any general reader. This makes the book more accessible to the wider public than the typical academic books of this nature, which tend to focus more on scholarly analysis and effect. The chapters are paced well consisting of short sections and should be a breeze for most readers. A challenge however is keeping up with the extroadinary number of historical characters and events throughout, although an index does assist with this. Some sections may be easier to get through than others, but there is always something interesting on the next page or chapter. The footnotes are also extensive and provide greater detail of the fates and events of characters.
Beautifully written and endlessly engrossing, Jerusalem – The Biography is a masterful account of the Holy City in all its glory, and is one of the great non-fiction history books of our time.
‘A friend should always underestimate your virtues and an enemy overestimate your faults.’
Mario Puzo
“I came here today because I heard Don Corleone is an honorable man”.
Ah, yes, The Godfather. One of the greatest Hollywood films ever created, with a superstar cast including Marlon Brando, Al Pacino, James Caan, Robert Duvall, Richard Castellano, Diane Keaton… and forever changed American cinema, society and culture with its themes of blackmail, murder and family values…
Oh wait. Thats the 1972 film directed by Francis Ford Coppola, and not the book…
Yes, dear readers, today we examine Mario Puzo’s original crime thriller from 1969, which recounts the story of the Corleone family, and its position in the American Mafia in New York during the 1940s and 50s. Most audiences will have seen the 1972 film, so I will be not only reviewing the original novel but also comparing book to film to see where the key differences lie. Needless to say, some spoilers will follow.
The major difference between book and film is the great amount of development and story arcs of the characters, particularly several minor characters in the film. Key examples of this are Johnny Fontane, the famous singer; Lucy Mancini, one of Connie’s brdesmaids; and Luca Brasi, Don Corleone’s hitman, all of whom get several chapters throughout detailing their background. Even minor characters who appear in the film for a minute or two, are given detailed sections and chapters detailing their background and motivations (e.g. Al Neri).
The majority of the book, however, is concerned with the Corleones and their family ‘business’. Particular emphasis is given to the relationships between Don Corleone and his children – Sonny, the tough hothead; Fredo, the weak but kind hearted imbecile; Tom, the adopted Irish consigliere, and Connie, the carefree daughter sent to a doomed marriage. Yet it is Michael Corleone, the charismatic and charming young man who undergoes the most significant development and change. His transformation from a quiet WWII veteran, and the black sheep of the family, to a cold hearted ruthless Mafia Don is gripping and enthralling reading as the betrayals, violence and bloodshed escalate with terrible consequences for all.
The overall pacing, tone and story development is also excellent. The book contains nine sections, in which each section contains several chapters dedicated to developing a character, recounting past or present events, and giving motivations to explain why characters act, behave or undertake tasks at hand.
This is exemplified in two brilliant sections which demonstrate Puzo’s brilliance and depth in character development. The first recounts the the youth of Don Corleone, and his early days in New York and friendships with Clemenza and Tessio (as depicted in The Godfather Part II). It is a brilliant depiction of 1920s and 30s New York City with its Italian neighbourhoods, shops and cafes, and shows the rise of young Vito Corleone. The second, detailing Michael’s life in Silicly, is almost a dreamlike interlude sequence, as time and life is slowed down. Through this Puzo explores in detail the ancient origins, customs and practices of the Italian Mafia, and its effect on the village and town folk.
The Godfather is a scintilating and brilliant depiction of modern crime, and is a true classic from author Mario Puzo. Its tale of tale of violence, murder and family values in American society remains just as engrossing and shocking over 50 years since its first publication.
Andrew Reviews 